1. Greatest Hits Fleetwood Mac Rock 1988 Preview Editors’ Notes The crux of this collection was culled from Fleetwood Mac’s 1975 self-titled album.
2. By the mid-’70s, Fleetwood Mac had relocated to California, where they added the soft rock duo of Lindsey Buckingham and Stevie Nicks to their lineup. Obsessed with the meticulously arranged pop of the Beach Boys and the Beatles, Buckingham helped the band become one of the most popular groups of the late ’70s.

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Download Fleetwood Mac greatest hits rar zip grandes exitos 320kbps mp3 Hola amigos Nuevamente continuando con la seccion de grandes exitos de rock en ingles, ahora es momento de compartir varios grandes exitos de la banda Fleetwood Mac disponible completamente gratis los discos completos de Fleetwood Mac desde la web mega. Buy Rumours (LP) by Fleetwood Mac for $35.00 at Mighty Ape Australia. In stock now. This 1977 multi-platinum album, Rumours became Fleetwood Mac's most celebrated album and one of the best-selling albums of all time. View credits, reviews, tracks and shop for the Vinyl release of Greatest Hits on Discogs. Label: CBS - 69011,CBS - S 69011. Format: Vinyl LP, Reissue, Compilation. Country: UK. Genre: Rock. Style: Blues Rock, Classic Rock. Fleetwood Mac: Fleetwood Mac's Greatest Hits.

Fleetwood Mac – Discography (1968 – 2011)
EAC Rip 94xCD + DVD FLAC Tracks & Image + Cue + Log Full Scans Included
Total Size: 39.4 GB 3% RAR Recovery
STUDIO ALBUMS LIVE ALBUMS COMPILATIONS
Label: Various Genre: Blues Rock, Pop Rock

While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late ’60s, the band gradually evolved into a polished pop/rock act over the course of a decade. Throughout all of their incarnations, the only consistent members of Fleetwood Mac were drummer Mick Fleetwood and bassist John McVie — the rhythm section that provided the band with its name. Ironically, they had the least influence over the musical direction of the band. Originally, guitarists Peter Green and Jeremy Spencer provided the band with its gutsy, neo-psychedelic blues-rock sound, but as both guitarists descended into mental illness, the group began moving toward pop/rock with the songwriting of pianist Christine McVie. By the mid-’70s, Fleetwood Mac had relocated to California, where they added the soft rock duo of Lindsey Buckingham and Stevie Nicks to their lineup. Obsessed with the meticulously arranged pop of the Beach Boys and the Beatles, Buckingham helped the band become one of the most popular groups of the late ’70s. Combining soft rock with the confessional introspection of singer/songwriters, Fleetwood Mac created a slick but emotional sound that helped 1977’s Rumours become one of the biggest-selling albums of all time. The band retained its popularity through the early ’80s, when Buckingham, Nicks, and Christine McVie all began pursuing solo careers. The band reunited for one album, 1987’s Tango in the Night, before splintering in the late ’80s. Buckingham left the group initially, but the band decided to soldier on, releasing one other album before Nicks and McVie left the band in the early ’90s, hastening the group’s commercial decline. –Allmusic

1. STUDIO ALBUMS:

1968. Mr. Wonderful (1994, Epic, Sony, ESCA 7562, JP)
1968. Mr. Wonderful (1996, Columbia, COL 474612-2, AT)
1968. Mr. Wonderful (2004, Columbia, 5164442, AT)

1968. Peter Green’s Fleetwood Mac (2004, Columbia, 516443 2, AT)

1969. Then Play On (1990, Reprise, 6368-2, US)
1969. Then Play On (1990, Reprise, 7599-27448-2, DE)
1969. Then Play On (2013, Reprise, 8122796443, EU)
1969. Then Play On (2013, Warner, WPCR-14579, JP, SHM-CD)

1970. Kiln House (1990, Reprise, 7599-27453-2, DE)
1970. Kiln House (1990, Warner-Pioneer, WPCP-3402, JP)
1970. Kiln House (2013, Warner, WPCR-14580, JP, SHM-CD)

1971. Future Games (1990, Reprise, 6465-2, US)
1971. Future Games (1990, Reprise, 7599-27458-2, DE)
1971. Future Games (1990, Warner-Pioneer, WPCP-3403, JP)
1971. Future Games (2013, Warner, WPCR-14581, JP, SHM-CD)

1972. Bare Trees (1988, Warner-Pioneer, 20P2-2094, JP)
1972. Bare Trees (1990, Reprise, 7599-27240-2, DE)
1972. Bare Trees (2013, Warner, WPCR-14582, JP, SHM-CD)

1973. Mystery To Me (1990, Reprise, 7599-25982-2, DE)
1973. Mystery To Me (1990, Reprise, CD 25982, US)
1973. Mystery To Me (1990, Warner-Pioneer, WPCP-3405, JP)
1973. Mystery To Me (2013, Warner, WPCR-14584, JP, SHM-CD)

1973. Penguin (1990, Reprise, 2138-2, US)
1973. Penguin (2013, Warner, WPCR-14583, JP, SHM-CD)

1974. Heroes Are Hard To Find (1990, Reprise, 2196-2, US)
1974. Heroes Are Hard To Find (2013, Warner, WPCR-14585, JP, SHM-CD)

1975. Fleetwood Mac (1986, Reprise, 2281-2, DE)
1975. Fleetwood Mac (1986, Reprise, 32XD-498, JP)
1975. Fleetwood Mac (1990, Reprise, 7599-27241-2, DE)
1975. Fleetwood Mac (2004, Reprise, 8122-73881-2, EU)

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1977. Rumours (1984, Warner Bros., 03010-2, DE, Target CD)
1977. Rumours (1985, Warner-Pioneer, 3010-2, 32XD-350, JP, Target CD)
1977. Rumours (1988, Warner-Pioneer, 20P2-2036, JP)
1977. Rumours (1990, Warner Bros., 7599-27313-2, DE)
1977. Rumours(2013, Warner Bros., R2-533806, US, 4CD+DVD)
1977. Rumours(2013, Warner Bros., R2-532752, US, 3CD)

1979. Tusk (2004, Warner Bros., 8122-73883-2, EU, 2CD)

1982. Mirage (1988, Warner-Pioneer, 32XD-968, JP)
1982. Mirage (1990, Warner Bros., 7599-23607-2, DE)

1987. Tango In The Night (1987, Warner-Pioneer, 32XD-707, JP)
1987. Tango In The Night (1990, Warner Bros., 7599-25471-2, DE)
1987. Tango In The Night (1990, Warner Bros., CD 25471, CA)

1990. Behind The Mask (1990, Warner Bros., 7599-26111-2, DE)

1995. Time (1995, Warner Bros., 9362-45920-2, DE)

2003. Say You Will (2003, Reprise, 9362-48394-2, DE)

2. LIVE ALBUMS:

1969. Blues Jam In Chicago. Vol. 1 (2004, Columbia, 5164462, AT)
1969. Blues Jam In Chicago. Vol. 2 (2004, Columbia, 5164472, AT)

1980. Live (2000, Warner Bros., 7599-27410-2, DE, 2CD)

1985. Boston(2013, Madfish, SMABX 1005, CN, 3CD)
1985. Boston Blues (2000, Snapper Music, SMDCD 274, EU, 2CD)
1985. Boston Live (1989, Castle, CLACD 152, FR)
1985. Live In Boston (1987, Polydor K.K., P33L-25013, JP)

1986. Live In London ’68 (2001, Prism, PLATCD669, IL)

1995. Live At The BBC (1995, Castle, 0607681101-2, US, 2CD)

1997. The Dance (1997, Reprise, 9 46702-2, US)
1997. The Dance (1997, Reprise, 9362-46702-2.3, DE)
1997. The Dance (1997, Reprise, 9362-46702-2.5, DE)

1999. Shrine ’69 (1999, Rycodisc, RCD 10424, US)

3. COMPILATION:

1969. English Rose (2007, BGO Records, BGOCD750, UK)

1969. The Pious Bird Of Good Omen (2004, Columbia, 5164452, AT)

1971. The Original Fleetwood Mac (1994, Castle, CLACD 344, EC)
1971. The Original Fleetwood Mac (2004, Columbia, 5164482, AT)

1988. Greatest Hits (1988, Warner Bros., 7599-25838-2, DE)
1988. Greatest Hits (1988, Warner Bros., 9 25801-2, US)

1990. The Blues Years(1990, Essential, ESBCD 138, FR, 3CD)

1992. The Chain. 25 Years(2012, Warner Bros., 8122797302, EU, 4CD)

1992. The Chain. Selections From 25 Years(1992,Warner Bros., 9362-45188-2, DE, 2CD)

2000. Alone With The Blues (2000, Union Square, METRCD009, UK)

2002. The Best Of Peter Green’s (2002, Columbia, 510155 2, AT)

2002. Very Best Of (2002, Warner Bros., 8122-73775-2, DE, 2CD)

2003. Green Shadows (2003, Union Square, METRCD111, EU)

2003. Madison Blues. Crazy About The Blues (2010, Secret, SECCD017, DE)

Fleetwood Mac Greatest Hits Zip Download

2003. Madison Blues. Preaching Blues. In Concert 1971 (2011, Secret, SECCD039, DE)

2009. Black Magic Woman. The Best Of (2009, Sony, 88697452022, EU, 2CD)

Fleetwood Mac Greatest Hits List

2011. Black Magic. The Best Of The Early Years (2011, Spectrum, SPEC2068, EU)

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Fleetwood Mac – Rumors (1977/2011)
FLAC (tracks) 24 bit/96 kHz Time – 39:52 minutes 875 MB Genre: Rock
Official Digital Download – Source: HDTracks.com @ Rhino/Warner Bros.

With the pop sense of Lindsey Buckingham and Stevie Nicks now leading the band, Fleetwood Mac moved completely away from blues and created this homage to love, Southern California-style. Each songwriter makes his or her presence known: Nicks for her dreamy, mystical reveries (“Dreams,” “Gold Dust Woman”); Christine McVie for her ultra-catchy slogans (“Don’t Stop”); and Buckingham for his deceptively simple pop songs (“Second Hand News,” “Go Your Own Way”). “The Chain,” written collectively, is the Mac at their most dramatic. But it’s the ensemble playing, the elastic rhythms, and lush harmonies that transform the material into classic FM fare.

Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend — it’s an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group’s internal turmoil. Unlike most bands, Fleetwood Mac in the mid-’70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You’re eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson’s Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work — he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as “Go Your Own Way” an anthemic hit. But that’s what makes Rumours such an enduring achievement — it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power — which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.

Tracklist:
01 – Second Hand News
02 – Dreams
03 – Never Going Back Again
04 – Don’t Stop
05 – Go Your Own Way
06 – Songbird
07 – The Chain
08 – You Make Loving Fun
09 – I Don’t Want To Know
10 – Oh Daddy
11 – Gold Dust Woman

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